![]() ![]() ![]() ” In any case, Cyrus’ new safe-for-work schtick, an apparent product of her impending marriage to one of the Hemsworth clan, has produced a bouncy little tune, “Malibu,” in which the singer comes off like a more gravelly Bethany Cosentino circa 2010. In other words, something we might call “pleasant, if slightly unsettling.” Or, as The New Yorker characterized it, “ creepy. Since we last truly heard from Cyrus, with 2013’s “Bangerz” album that produced “Wrecking Ball,” she has become the human iteration of a grassy church picnic day in July. Gather ‘round and let’s talk about Miley Cyrus’ latest reinvention for a hot sec, if only because my personal summer anthem, Carly Rae Jepsen’s iconic “Cut to the Feeling,” has already been covered here.
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